Category Archives: Uncategorized

Part two of my Mellow Man Ace posts. Enjoy. What’s It Take To Pull A Hottie (Like You)? – Mellow Man Ace kicks off The Brother With Two Tongues with a heavily r&b flavored track, and sounds thirsty as a … Continue reading →

  Ulpiano Sergio Reyes, better known to the world as Mellow Man Ace, is a Cuban born rapper who moved from Cuba to Los Angles with his family at the age of four in the early seventies. He’s often credited … Continue reading →

R.M.G. (I’m not sure what that acronym stands for…hit me in the comments if you know)was a four man crew out of Baytown Texas consisting of DJ Cue, Squeak, B. Selector and the lead emcee Rom, who most of you … Continue reading →

One of the reasons I love doing this blog is no matter how much I’m engulfed in the culture or how much of a hip-hop historian I think I am, there is always an artist and/or an album that I … Continue reading →

H.E.A.L., which is an acronym for Human Education Against Lies, is a movement that was formed and led by the Blastmaster KRS-One back in the early nineties. KRS-One’s beliefs and philosophies have changes plenty over the past thirty years, but … Continue reading →

Sway and Tech’s legacy will always be cemented in the annuals of hip-hop for what their legendary radio show, The Wake Up Show, did for hip-hop in the nineties. Through their radio show the bay area duo helped provide a … Continue reading →

We last heard from Kool Moe Dee in 1991 with his third full-length release Knowledge Is King. You can read my thoughts on that album by clicking this link, but in a few words: Knowledge Is King was chalked full … Continue reading →

Nineties hip-hop gave us several abstract artists and one-off projects, but no one project or group may have epitomized both those things more than the subject of today’s post, Son of Bazerk. Son of Bazerk (government name: Tony Allen) and … Continue reading →

If you’re keeping track at home, place this one after Hypocrisy Is The Greatest Luxury. Make Way For The Motherlode is the debut album from the South Central based female emcee, Yo-Yo. In my review of her second album Black … Continue reading →

New addition. It you’re keeping track at home, place this one after Paris’s The Devil Made Me Do it. From the mid-eighties to early nineties, Uptown Records was a force to be reckoned with. The New York City based label, … Continue reading →