Gravediggaz – 6 Feet Deep (August 9, 1994)

I’d be remiss if I didn’t start this post off by saying rest in peace to Richard “Bushwick Bill” Shaw. Rest easy, black man. 

The Gravediggaz are an offshoot group consisting of Frukwan (formerly of Stetsasonic) aka The Gatekeeper, Poetic aka The Grym Reaper, Wu-Tang Clan founder and defacto leader, Rza aka The RZArector and another former member of Stetsasonic and the unofficial forth member of De La Soul (which is a part of The Native Tongue collective that, yep you guessed it, A Tribe Called Quest is also a part of (Tribe Degrees of Separation: check), Prince Paul. They are credited for creating the horrorcore sub-genre, which pretty much consists of dark production mixed with spooky death themed rhymes. The Gravediggaz would release their debut album, 6 Feet Deep in the summer of 1994.

The master of conceptual albums, Prince Paul, is responsible for the vision and most of  6 Feet Deep‘s production, as the liner notes credit him as the album’s “Overseer”. The album would receive favorable review, and even though the sells weren’t great, over the years it has developed a cult like following.

Or should I say occult.

Side note: The European release of 6 Feet Deep was cleverly titled Niggamortis and included the bonus track “Pass The Shovel”.

Just When You Thought It Was Over (Intro)6 Feet Deep opens with this super short Intro, welcoming the listener to the album.

Constant Elevation – The first song of the evening finds Grym Reaper and Gatekeeper exchanging creepy verses before Rza swoops in to wrap things up on the song’s final verse. Prince Paul builds the instrumental around a slightly zany off-kilter piano loop, which serves as the perfect canvas for the three emcee’s colorful rhymes. I’m not sure what the song title has to do with their content, but this was pretty entertaining.

Nowhere To Run, Nowhere To Hide – This was the second single from the album, and my first introduction to the Gravediggaz. Reaper, Gatekeeper and Rza take turns mixing horrorcore verbiage (“the crazy, maniac, yo, lunatic, I circle like a shark when the fresh blood drips”) with comical punchlines (“Me being wack, is like naps on Kojak”). Prince Paul recycles the same Eugene McDaniels’ loop that ATCQ used for the interludes on Peoples Instinctive (there’s another Tribe Degrees of Separation for dat ass!) for the instrumental, which is a great loop for a horrorcore group’s backing music. The liner notes credit Kurious for “Guest Spook Vocals”. Must have been his ghost, because I definitely didn’t hear him on this track.

Detective Trip (Trippin’) – Prince Paul hooks up a jazzy backdrop with an ill dark guitar riff, while the rest of the fellas discuss their drugs of choice and the “trip” they send them on. If you don’t dig (no pun intended) this one the first time around, it will definitely grow on you after a few listens. This time around, the liner notes credit Biz Markie and MC Serch as “Guest Spook Vocalists”. Hit me in the comments if you know what this whole “Spook Vocalist” thing is about.

2 Cups Of Blood – Prince Paul lays down the dark, raw and minimal instrumental that Rza and Grym Reaper tag team and terrorize for approximately a minute and a half. This is the prelude for the next song…

Blood Brothers – Gatekeeper joins his Gravedigging brethren on this one, which is only right, since it’s all about the brotherhood. He also gets credit for the serious mid-tempo instrumental. This was dope.

360 Questions – A quick interlude that has Gravediggaz Stans asking seven random questions about the group. A few of the questions won’t make since until you listen a little further into the album, but more on that in a minute. The last question (“Who killed Tommy’s boy?”) is a jab at Tommy Boy Records, to which all four of the Gravediggaz were signed to at some point.

1-800 Suicide – This was the third and final single released from 6 Feet Deep. The Gatekeeper, Grym Reaper and Rza use Prince Paul’s equally dark, somber and soulful backdrop to give that extra push to those contemplating suicide and suggestions on how to seal the deal if you need it. Even with its comical undertones, this is some dark demented shit that would never see the light of day in today’s sensitive climate. Call me sick, but I found it entertaining (especially Rza’s verse).

Diary Of A Madman – This was the lead single from 6 Feet Deep. The production on this one is credited to Rza, RNS and Prince Paul, but it has Rza’s fingerprints all over it. The dim mid-tempo instrumental is punctuated by a spooky vocal loop of a female choir ensemble that haunts the track, beautifully. The Gravediggaz, along with Wu-Tang affiliates, Shabazz the Disciple and Killah Priest (whose name I always confuse with the O.G. Wu-Tang Clansmen, Masta Killa), each take turns to spew the most sick and vile rhymes they can think of. The answers to a few of the questions asked during the “360 Questions” interlude get answered here, which is why it would have made more sense to move this song up earlier in the album’s sequencing or place the interlude later.

Mommy, What’s A Gravedigga? – Prince Paul hooks up an ill Patrice Rushen guitar loop for the instrumental, as each of the GD’s spit no more than eight bars, and the song ends just as your head starts to get a solid bob going.

Bang Your Head – I don’t know what’s worse about this song: the generic instrumental or the annoying hook. Either way, I absolutely despise this song.

Here Comes The Gravediggaz – This is the only track on 6 Feet Deep that one of the Gravediggaz didn’t have a hand in the production (the credit goes to Mr. Sime). It makes for a decent filler song.

Graveyard Chamber – This is another one that I knew Rza produced the moment I heard the beat drop (the dusty drums and dark piano loop are a (no pun intended) dead giveaway). He, Gatekeeper and the Reaper, are joined by Dreddy Krueger (who sounds like a poor man’s Ghostface Killah and is an obvious candidate for worst Moniker), Scientific Shabazz, and making his second appearance of the evening, Killah Priest, who spits the illest line of the song when he threatens to “dig through your chest like a jar of Vaseline”. It’s not the strongest song on the album, but it’s solid and fits within the album’s dark theme.

Deathtrap – Masta Ace makes a guest appearance as he provides the intro spoken word for this one. Gatekeeper, RZA and Reaper each get a verse and share different scenarios that led random people to stumble into the grips of death. I love Prince Paul’s instrumental, which works perfectly with the crew’s content.

6 Feet Deep – Over off beat drums and a drunken piano loop, The GD’s give us one last outrageously psychotic song for the road. And the hook is super catchy.

Rest In Peace (Outro) – Over rough drums and an Albert King loop that Prince Paul puts an evil spell on, Rza, both literally and figuratively, shouts out his Gravedigga bredrin, random people, song titles from the album and other random thoughts. Fittingly, the song fades out with a vocal sample of someone singing “someday you are going to die”, driving home the album’s theme, while leaving the listener with an eerie feeling and pondering if these dudes were joking the entire album or dead serious (pun intended).

Sometimes you can judge a book by its cover, or an album by its cover artwork. 6 Feet Deep is definitely one of those occasions. Under Prince Paul’s directive the Gravediggaz stay true to the album’s death obsessed theme, with The Gatekeeper, Grym Reaper and Rza (and their guests) providing colorfully morbid rhymes over dark and spooky production work. With the exception of “Bang Your Head” and a minor misstep in the track sequencing (see “360 Questions”), 6 Feet Deep is a very well thought out, executed and entertaining listen. Some may take offense or be uncomfortable with the album’s dark and sometimes controversial content, but it’s all in jest. Or is it?

-Deedub

Advertisements
This entry was posted in Uncategorized. Bookmark the permalink.

8 Responses to Gravediggaz – 6 Feet Deep (August 9, 1994)

  1. SEVENTHREEO says:

    first off rip bushwick bill

    full agree on this write up, but i probably would’ve never checked this album on its description alone (the whole horrorcore thing), also i don’t know what the appeal is behind “bang your head”, maybe an acquired taste thing but it’s just noise to me

    unpopular opinion but there was almost nothing spectacular about rza (vocally speaking) on this album then again he’s never been known for lyricism, the only way it could’ve been better than it was is if it had more poetic and frukwan verses on the tracks

    wasn’t a fan of the next album or the one after that where half of them left, rip poetic

    • willmiami76 says:

      I agree that “Bang Your Head” song was/is annoying as heck. I agree with you as well that the 2nd album was wack juice. But I have it in the collection. There’s a song they did with DJ Honda for his part 3 album that was good. I like the video of 1-800 Suicide that was used for the “Demon Knight” movie in 1995. There’s also another cool version. That was done a few years ago. By some fans. Here is the link https://www.youtube.com/watch?v=4vLiJIgVlRQ

      • SEVENTHREEO says:

        good shout bro in return i’ve got this if you haven’t heard it before it’s the original/longer version of “mommy what’s a gravedigga”

    • willmiami76 says:

      Thanks. There’s another version of this song and “1800 Suicide” on Prince Paul’s “Gold Dust” compilation.

  2. Kristian Keddie says:

    Nah their second album is very good just as good as this one which i own on vinyl bought in 1994 indeed it is called Niggamortis

  3. Mike Cirillo says:

    The “guest spook vocals” thing is exactly that; those people have vocals on those songs. It can be hard to spot though. For example on “Trippin”, MC Serch is the one saying “Old fat Ned”.

    As for the review, I disagree that “Bang Your Head” is a bad song. The beat sounds like your brain is being electrocuted with thousands of volts at once; literally and figuratively. Then the random rain sounds in the background coupled with RZA’s screaming makes it one of the best tracks on the album, in my opinion.

    This album has and will always be in my top 5 favorite rap albums ever.

    • SEVENTHREEO says:

      good shout on serch, i can definitely hear that being him, plus prince paul was tight with 3rd bass so it’s not too confusing

      i’m just wondering how/why they had biz on the same track, and kurious on nowhere to run, you can’t hear either of them and there’s never been a link, only reason i’m hung up on it is because hip hop then rarely featured/credited well-known artists without giving them at least a verse or spoken line, and at the least you’d see them in the background of music videos (kurious was nowhere to be seen)

      • Mike Cirillo says:

        I found a lot of old studio footage on Youtube of Onyx working on their 1993 and 1995 albums and on both of them, there’s quite a few extra people in the studio yelling on the choruses, like 8-Off Assassin/Aguilar in an effort to give the choruses a little more “oomph”. My guess is that’s what’s going on here.

        There is a book called Check the Technique vol 2 and “Niggamortis” is featured in it, where Prince Paul walks you through each track on the album, and though I read it about 2 years ago, I think he breaks down exactly who says what in each track.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.